Alt.Culture.Guide: Roadstar

William Steffey creates lush, multi-layered pop landscapes, the music on Roadstar washing over the listener like a cool summer rain. Steffey’s instrumentation is mostly electronic, synthetic rhythms and motorized percussion banging on your door like a drunken Fuller brush man. As such, Steffey’s vocals are often buried in the mix, an effective voice caressing mildly oblique lyrics that are riddled with imagery and delivered with a healthy amount of passion. Roadstar was produced by Steffey, who could use a different set of ears in the studio to smooth out his sound. Turn down the electronics, raise the vocals in the mix and you’d have a wonderfully atmospheric modern pop album to rival artists like Tindersticks or Swell.

-Rev. Keith A. Gordon

Can’t Stop The Now...

More To Explore

Indie Criollo: Sparkle

Review of William’s single “Sparkle” from the Ecuadorian blog Indie Criollo.  Sparkle no quiere guardarse nada ante los oídos de quienes están interesados en

Ashland [Redux]

I created a fresh, 20th-anniversary remix of my song Ashland using the original tracks I recorded back in 2001. To celebrate one of my tightest

DEERFIELD REVIEW: Up On the Rock

Electric guitar instrumentalists never have been at the forefront of the rock music scene. Although widely respected, musicians such as John Mclaughlin, Carlos Santana –