Rhythms realized (Gold in Music pt. 2)

In my last post, I began to create a percussion part based on the timing of the Golden Section by dividing an 8 bar phrase into relevant ‘phi points’. I realized that for building a beat it was better to think in terms of 1 bar instead of 4, so I kept my main time ratios, but condensed them from 8 seconds to 2 seconds. I then went a step further by dividing up the large sections into more phi sections to reveal more points for our beat. A/B = 1.618. Likewise, B/C = 1.618 and so on. I worked my way all the way down to an E section. What you see here in the top of the image is our basic 2 second span divided into A and B with the hit at 1.236 (the main phi point of the span). On the next line, I divided A into its Golden Ratio revealing sections B and C. As mentioned earlier, I continued this process all the way down to an E section. So now, including a beat at 0 secs, we’ve got 8 relevant phi points. This is perfectly suited to a one bar drum pattern. Here’s how the sections break down:

One Bar Beat at 120 bpm = 2 secs.

Section A = 1.236 secs.
Section B = .764 secs.
Section C = .472 secs.
Section D = .292 secs.
Section E = .180 secs.

All sections are 1.618x larger than the previous one.  I think that point dividing the whole 2 second bar into phi should be stressed, as well as the beat at zero. From there, the accents should decrease according to how minor a point gets. I strung together a line of D, E, D, E, D, D, E, D to form the bongos. This would also be ideal for a high-hat or tambourine. I then put different percussion instruments on the C and D sections’ points (a bit louder). Finally, I put major hits (bass part changes) at the start and on the point between A and B.

The final string of hit points look like this:

0.000 secs.
0.292 secs.
0.472 secs.
0.764 secs.
0.944 secs.
1.236 secs.
1.528 secs.
1.708 secs.

I then rendered the beat in a step-sequencer, and looped the bar 8 times, then copied that to make a 16 bar phrase. For extra fun, I added regular quarter notes using a brush snare on the second 8 bar section to hear how a phi beat works against our traditional time system. I must say, it all sounds pretty golden!

Can’t Stop The Now...

More To Explore

R+: TREAD

El músico y productor estadounidense William Is presenta el sencillo «Tread», un track cercano al rock pop donde su energía destaca, ya que alimenta alimenta

ZONE NIGHTS: Grow Crazy

Con un ritmo muy garage rock, que por momentos, se vuelve un poco punk, Grow Crazy, está listo para darte el empujón que necesitás tener en éste

ROADIE MUSIC: Lizzy I Can’t Lie

Se você gosta de um bom Rock Alternativo, não deixe de conferir agora mesmo o novo single do norte-americano chamado William Is. O nome desse