Prior to this review William Steffey was a complete stranger to us. During the first try at listening his record through we were wishing he still was. We’re still wondering why the editor passed this stale hybrid of The The circa Infected and the poorest electronics we’ve had to endure in a long while in our direction. Was he trying to re-sharpen our most vicious review-blades? Poor William was even polite enough to include a little business card, featuring his URL and a handy access code for extra songs. Just in case we would want to find out more about his entirely uninteresting try at crossing guitars with post-modern electronics. It reminded us of Chris Rea. Lord knows we do not wish to be reminded of Chris Rea. Vade retro, Satanas!

Can’t Stop The Now...

More To Explore

Ashland [Redux]

I created a fresh, 20th-anniversary remix of my song Ashland using the original tracks I recorded back in 2001. To celebrate one of my tightest

DEERFIELD REVIEW: Up On the Rock

Electric guitar instrumentalists never have been at the forefront of the rock music scene. Although widely respected, musicians such as John Mclaughlin, Carlos Santana –

Kathleen France: 5 Questions

Today we’re kicking off our interview series with narrators from my Time is a Fine White Lie audiobook. Call it serendipity or kismet, I connected